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MVRDV
MVRDV
nationality: dutch
MVRDV
Achterklooster 7
3011 RA Rotterdam - Netherlands [Nederland]
Tel: +31.10.4772860 - Fax: +31.10.4773627
www.mvrdv.nl
office@mvrdv.nl
Team makeup for the building:
Balancing Barn
Winy Maas

* Schijndel, Netherlands [Nederland], 1959
nationality: dutch
Jacob van Rijs

* Amsterdam, Netherlands [Nederland], 1964
nationality: dutch
Nathalie de Vries

* Appingedam, Netherlands [Nederland], 1965
nationality: dutch
Show firm present makeup
BIOGRAPHICAL NOTES
 
 
MVRDV was set up in Rotterdam (the Netherlands) in 1992 by Winy Maas, Jacob van Rijs and Nathalie de Vries. MVRDV engages globally in providing solutions to contemporary architectural and urban issues. A research based and highly collaborative design method engages experts from all fields, clients and stakeholders in the creative process. The results are exemplary and outspoken buildings, urban plans, studies and objects, which enable our cities and landscapes to develop towards a better future.

Early projects such as the headquarters for the Dutch Public Broadcaster VPRO and housing for elderly WoZoCo in Amsterdam lead to international acclaim making MVRDV a globally operating office.

MVRDV develops its work in a conceptual way, the changing condition is visualised and discussed through designs, sometimes literally through the design and construction of a diagram. The office continually pursues its fascination and methodical research on density using a method of shaping space through complex amounts of data that accompany contemporary building and design processes.

MVRDV first published a cross section of study results in FARMAX (1998), followed by a.o. MetaCity/Datatown (1999), Costa Iberica (2000), Regionmaker (2002), 5 Minutes City (2003), KM3 (2005), Spacefighter (2007), Sky Car City (2007) and more recently Agendas on Urbanism (2012). MVRDV deals with global ecological issues in large scale studies such as Pig City and China Hills as well as in small pragmatic solutions for devastated areas of New Orleans.

Current projects include various housing and mix use projects in the Netherlands, Spain, China, France, Poland, the USA, India, Korea and other countries, a bank headquarter in Oslo, Norway, a public library for Spijkenisse , Netherlands, a central market hall for Rotterdam, a culture plaza in Nanjing, China, large scale urban plans include a plan for an eco-city in Logroño, Spain, an urban vision for Oslo or the doubling in size of Almere, Netherlands and Bastide Niel, a city centre extension for Bordeaux, France.

The work of MVRDV is exhibited and published world wide and receives international awards. The 75 architects, designers and staff members conceive projects in a multi-disciplinary collaborative design process and apply highest technological and sustainable standards.

Together with Delft University of Technology MVRDV runs The Why Factory, an independent think tank and research institute providing argument for architecture and urbanism by envisioning the city of the future.
AWARDS
 
2012
A&W Architeckt des Jahres 2012
Architektur&Wohnen
2005
The Marcus Corporation Foundation Prize
2004
Amsterdam Prize for the Arts 2003
2000
Fritz Schumacher Preis
BUILDINGS
 
2013 - 2018
Urban Hybrid
Switzerland [Schweiz/Suisse] » Emmen
2015 - 2018
Paradise City
South Korea [Taehan Min'guk] » Incheon
2016
Crystal Houses
Netherlands [Nederland] » Amsterdam
2009 - 2014
Markthal
Netherlands [Nederland] » Rotterdam
2012 - 2014
Baltyk Tower
Poland [Polska] » Poznan
2013 - 2014
The Couch
Netherlands [Nederland] » Amsterdam
2010 - 2014
Pushed Slab
France [France] » Paris
2013 - 2014
Museum Schiedam
Netherlands [Nederland] » Schiedam
2000 - 2012
De Glazen Boerderij
Netherlands [Nederland] » Schijndel
2012
Teletech Campus
France [France] » Dijon
2003 - 2012
Spijkenisse Book Mountain
Netherlands [Nederland] » Spijkenisse
2010
Balancing Barn
United Kingdom » Aldeburgh
2003 - 2005
Frøsilos
Denmark [Danmark] » Copenhagen [København]
2004
Spain [España] » Barcelona
1998 - 2004
Netherlands [Nederland] » Amsterdam
1998 - 2002
Netherlands [Nederland] » Amsterdam
1995 - 2002
Netherlands [Nederland] » Amsterdam
1998 - 2002
Netherlands [Nederland] » Rijswijk
1998 - 2001
Netherlands [Nederland] » Amsterdam
1997 - 2001
Netherlands [Nederland] » Amersfoort
1997 - 2000
Germany [Deutschland] » Hanover [Hannover]
2000
Netherlands [Nederland] » Amsterdam
1993 - 1997
Netherlands [Nederland] » Hilversum
1994 - 1997
Netherlands [Nederland] » Amsterdam
1995 - 1997
Netherlands [Nederland] » Utrecht
1994 - 1995
Netherlands [Nederland] » Ede
Top
BIBLIOGRAPHY
 
WRITINGS
BY THE ARCHITECT
MVRDV, "Silodam. MVRDV", Area 60, gennaio-febbraio/january-february 2002 [Amsterdam], pp. 112-115
WRITINGS
ABOUT THE ARCHITECT
Kriston Capps, "MVRDV", Architect 3/2014, march 2014, "Front" p. 26
MVRDV BUildings NAi RotterdamIlka Ruby, Andreas Ruby, MVRDV Buildings, NAi010 uitgevers, Rotterdam 2013
Valerio Paolo Mosco, "Se l'architettura è un gioco gli MVRDV sono dei grandi architetti", L'industria delle costruzioni 411, gennaio-febbraio/january-february 2010 [Architettura dei musei 3], "Argomenti" pp. 110-112
Massimiliano Giberti, "Winy Maas - MVRDV. Profile", Materia 50, maggio-agosto/may-august 2006 [Around 50], "Architetti/Architects" pp. 120-123 (120-135)
Michele Costanzo, MVRDV. Opere e progetti. 1991-2006, Skira, Milano 2006

review: Enrico Puccini, L'Arca 225, maggio/may 2007, "Press", p. 103
Véronique Patteeuw (ed.), Reading MVRDV, Nai Publisher, Rotterdam 2003
review: Manuela Martorelli, "Architetti della generazione 1.0", Il giornale dell'architettura 25, gennaio 2005, "Libri" p. 32
MVRDV. 1991 2002, El Croquis, Madrid 2003 (El Croquis 86 + 111)
Stan Allen, "Ecologías Artificiales: el trabajo de MVRDV/Artificial Ecologies: the Work of MVRDV", MVRDV. 1991 2002, El Croquis, Madrid 2003, pp. 410-417
Bart Lootsma, "Hacia una Arquitectura Reflexiva/Towards a Reflexive Architecture", MVRDV. 1991 2002, El Croquis, Madrid 2003, pp. 418-425
Hubertus Adams, "Apilamiento y Estratificatión/Stacking and Layering", MVRDV. 1991 2002, El Croquis, Madrid 2003, pp. 426-434
Philip Jodidio, Architecture Now!, Taschen, Köln 2001, pp. 246-257
Philip Jodidio, Building a new millennium, Taschen, Köln 2000, pp. 364-365
El Croquis 86 [MVRDV. 1991-1997], 1997
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INTERVIEWS
 
 
Cristina Díaz Moreno y Efrén García Grinda, "Redefiniendo las Herramientas de la Radicalidad/Redefining the Tools of Radicalism", MVRDV. 1991 2002, El Croquis, Madrid 2003, pp. 30-247
Luis Moreno Mansilla + Emilio Tuñón, "El Espacio del Optimismo/The Space of Optimism", MVRDV. 1991 2002, El Croquis, Madrid 2003, pp. 10-29
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EXHIBITIONS
 
 
20 years of MVRDV. An Exhibition, Bangalore (India), InCITE Gallery, 24 november / 7 december 2012
MVRDV, The Why Factory, The Vertical Village
Taipei (Taiwan), Chung Shan Creative Hub, 8 october 2011 / 8 january 2012

Seoul, Total Museum of Contemporary Art Seoul, 20 june / 7 october 2012

Hamburg, Hamburg Museum, 2 august / 29 september 2013
MVRDV20 MVRDV, Hamburg, USM, 11 may / 11 june 2012
3D City: Studies in Density, Ann Arbor (MI), Taubman College Gallery, room 2106, 4 november/12 december 2008
MVRDV H20. Water City Projects, Berlin, Aedes am Pfefferberg, 13 june/27 july 2008
The Hungry Box. The endless interiors of MVRDV, Athína (Athens), Benaki Museum, 25 may/29 september 2007
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ADDITIONS AND DIGRESSIONS
 
 
#DGEVOLUTION, MVRDV, Dolce & Gabbana, Markthal Rotterdam, Frøsilos, Copenhagen, København

MARKTHAL      |      FRØSILOS
#DGEVOLUTION, Milano, Palazzo Labus, 4 / 9 April 2017

MVRDV takes part in the exhibition to launch #DGEVOLUTION featuring six international architecture firms chosen to create a new conceptual vision for future Dolce&Gabbana boutiques.

Dolce&Gabbana ushers in a new era for its luxury retail boutiques by handing over creative freedom to six international architecture firms, who will transform individual stores in Milan, Porto Cervo, Capri, Tokyo, St. Barth, London, Brussels, Monte Carlo, Venice, Beijing, Los Angeles and Dubai, whilst responding to both context and the brand's history.

MVRDV is set to design a new flagship location in line with this new approach. A one of a kind, location specific design in collaboration with the brand to bring a unique interpretation of the Dolce & Gabbana story for contemporary buyers. This heralds a more emotive, diverse and cultural influence on their boutiques making them experiential, and a move away from the now dated concept store model. The designers of the fashion house have initiated a dialogue with the chosen architects to create radical and unusual perspectives for the brand and their locations, making them one-of-a-kind.
 
 
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